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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>What comes steadily tumbling out of me</description><title>SteadyTumbling</title><generator>Tumblr (3.0; @steadyblogging)</generator><link>http://steadyblogging.tumblr.com/</link><item><title>via onbedford ave:

Brooklyn Day Parade.
Bedford at Park Place....</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_ly0b0wcS6d1qeld6ao1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;via &lt;a class="tumblr_blog" href="http://onbedford.tumblr.com/post/16068901856/brooklyn-day-parade-bedford-at-park-place" target="_blank"&gt;onbedford&lt;/a&gt; ave:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Brooklyn Day Parade.&lt;/p&gt;
&lt;p&gt;Bedford at Park Place. 1920.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://ephemeralnewyork.wordpress.com" target="_blank"&gt;Via&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://steadyblogging.tumblr.com/post/50993145529</link><guid>http://steadyblogging.tumblr.com/post/50993145529</guid><pubDate>Tue, 21 May 2013 11:30:15 -0400</pubDate><category>bedford ave</category><category>Crown Heights</category><category>nyc</category><category>New York City</category><category>history</category><category>photography</category></item><item><title>Wax Poetics - Issue 54:

Issue 54 split covers celebrate two...</title><description>&lt;img src="http://25.media.tumblr.com/64eb5051ecb4a19574b5623f211e468e/tumblr_mmyancwIsH1qzaf8fo1_r1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://store.waxpoetics.com/products/issue-54-current-issue" target="_blank"&gt;Wax Poetics - Issue 54&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;div&gt;Issue 54 split covers celebrate two scenes— blue-eyed soul and Brooklyn MCs—brought together as only Wax Poetics can.&lt;/div&gt;
&lt;div&gt; &lt;/div&gt;
&lt;div&gt;Cover one features the poster boy for the blue-eyed-soul movement, Daryl Hall. Wax Poetics digs deep into the scene with features on Bobby Caldwell, Donald Fagen of Steely Dan, Laura Nyro, and Ned Doheny. &lt;/div&gt;
&lt;div&gt; &lt;/div&gt;
&lt;div&gt;Cover two sports legendary Brooklyn MC and Juice Crew alum Big Daddy Kane, backed with new Brooklyn mic killer Joey Badass. And we venture farther back in time to speak with the elusive old school BK rapper Jimmy Spicer. &lt;/div&gt;
&lt;/blockquote&gt;</description><link>http://steadyblogging.tumblr.com/post/50911218245</link><guid>http://steadyblogging.tumblr.com/post/50911218245</guid><pubDate>Mon, 20 May 2013 11:30:28 -0400</pubDate><category>big daddy kane</category><category>brooklyn</category><category>wax poetics</category><category>hip hop</category></item><item><title>DC Makes Progress on Bike Lanes But Advocates See Room For...</title><description>&lt;img src="http://25.media.tumblr.com/0826acdf8b5d1a26371b5bfbecd4def4/tumblr_mmy95fTehL1qzaf8fo1_250.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://www.wnyc.org/blogs/transportation-nation/2013/may/17/dc-makes-progress-bike-lanes-advocates-see-room-improvement/" target="_blank"&gt;DC Makes Progress on Bike Lanes But Advocates See Room For Improvement - via WNYC&lt;/a&gt;’s TransportationNation:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The world got to see one of Washington’s most popular cycle tracks on Inauguration Day, when President Obama &lt;a href="http://www.wnyc.org/blogs/transportation-nation/2013/jan/22/d-c-s-pennsylvania-avenue-bike-lane-gets-presidential/" target="_blank"&gt;made his way down the center of Pennsylvania Avenue NW&lt;/a&gt; and over the two-way cycle track, located in the roadway’s median. &lt;/p&gt;
&lt;p&gt;On days when there are no presidential parades, the procession is more mundane: motorists idling at traffic lights, bicycles whirring by—and illegal U-turns.&lt;/p&gt;
&lt;p&gt;[…]&lt;/p&gt;
&lt;p&gt;Advocates say plastic bollards installed down the middle of the avenue would immediately stop the U-turns, but the U.S. Commission on Fine Arts opposes the use of plastic posts.&lt;/p&gt;
&lt;p&gt;According to the D.C. Department of Transportation, there was a 200 percent increase in bicyclist volume along Pennsylvania Avenue after the cycle-track was installed.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://steadyblogging.tumblr.com/post/50824794876</link><guid>http://steadyblogging.tumblr.com/post/50824794876</guid><pubDate>Sun, 19 May 2013 11:30:07 -0400</pubDate><category>bicycling</category><category>washington dc</category><category>transit</category><category>infrastructure</category></item><item><title>A walking tour of Bedford Ave in Crown Heights -...</title><description>&lt;img src="http://25.media.tumblr.com/d51731fb64a635eafcf1f80242a597e8/tumblr_mmw5zbQPF51qzaf8fo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;A walking tour of Bedford Ave in Crown Heights - “&lt;a href="https://secure3.convio.net/masnyc/site/Ecommerce/1597108198?VIEW_PRODUCT=true&amp;product_id=2141&amp;store_id=1221&amp;JServSessionIdr004=2yc5yoq5h2.app338a" target="_blank"&gt;Brooklyn’s Automobile Row&lt;/a&gt;” (organized by &lt;a href="http://mas.org/" target="_blank"&gt;Municipal Arts Society of NY&lt;/a&gt;):&lt;span&gt;&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For the first half of the 20th century, Bedford Avenue, between Fulton Street and Empire Boulevard in Crown Heights, was known as “Automobile Row,” because of the many car dealerships, showrooms, garages and related auto businesses and events that lined the Avenue. What was going on around Bedford Avenue, architecturally and historically, during this time and why was Bedford Avenue chosen for these businesses? Join guides &lt;strong&gt;Suzanne Spellen&lt;/strong&gt;, writer and architectural historian, aka columnist “Montrose Morris” on Brownstoner.com; and &lt;strong&gt;Morgan Munsey&lt;/strong&gt;, architect and architectural historian, for a tour examining this important part of Brooklyn’s development. We’ll look at the fine architecture that distinguished these businesses, as well as the surrounding area. We’ll look at and we’ll take you to those same dealerships and garages, many now repurposed, what gave shape to the we will explore how that shaped the rise and fall of Brooklyn’s Automobile Row.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Date:&lt;/strong&gt;Sunday, May 19th&lt;br/&gt;&lt;strong&gt;Time:&lt;/strong&gt;11:00 AM&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Cost: $20 / $15 Members.&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Photo of the old Studebaker showroom via &lt;a href="http://onbedford.tumblr.com/post/11991135393/studebaker-on-bedford" target="_blank"&gt;the OnBedfordAve tumblr&lt;/a&gt;)&lt;/p&gt;</description><link>http://steadyblogging.tumblr.com/post/50733597262</link><guid>http://steadyblogging.tumblr.com/post/50733597262</guid><pubDate>Sat, 18 May 2013 11:30:00 -0400</pubDate><category>Crown Heights</category><category>brooklyn</category><category>municipal art society</category><category>walking tour</category><category>bedford ave</category></item><item><title>Park Slope #Citibike station (at MTA Subway - Atlantic...</title><description>&lt;img src="http://25.media.tumblr.com/c8fc111675b42855c84a8ac77ac1109d/tumblr_mn01f4xtSw1qzaf8fo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Park Slope #Citibike station (at MTA Subway - Atlantic Ave/Barclays Center (B/D/N/Q/R/2/3/4/5))&lt;/p&gt;</description><link>http://steadyblogging.tumblr.com/post/50731309491</link><guid>http://steadyblogging.tumblr.com/post/50731309491</guid><pubDate>Sat, 18 May 2013 10:54:00 -0400</pubDate><category>citibike</category><category>park slope</category><category>brooklyn</category><category>bicycling</category><category>bike share</category><category>nyc</category><category>New York City</category><category>transit</category></item><item><title>"Charlie Parker: Timeless Innovation" with Rudresh Mahanthappa</title><description>&lt;a href="http://events.cuny.edu/eventDetail.asp?EventId=42561"&gt;"Charlie Parker: Timeless Innovation" with Rudresh Mahanthappa&lt;/a&gt;: &lt;p&gt;&lt;div class="listing" id="listing"&gt;
&lt;h4 class="low-normal-black"&gt;Via CUNY Events Calendar, a jazz thing tonight at BMCC:&lt;/h4&gt;
&lt;blockquote&gt;
&lt;h4 class="low-normal-black"&gt;Rudresh Mahanthappa will present recontextualizations of Charlie Parker’s work as well as new material based on extractions of Bird’s vocabulary as both composer and improviser. Mahanthappa’s celebrated groundbreaking approach of synthesizing the traditions of jazz with modern musical concepts exemplifies the spirit of Bird. With some of NYC’s finest instrumentalists as a rhythm section, this evening will highlight the relevancy of Parker as a contemporary and timeless icon of modern music. Film screening: Celebrating Bird: The Triumph of Charlie Parker Friday, May 17 at 7PM, FREE&lt;/h4&gt;
&lt;h3 class="date"&gt;Date: &lt;span&gt;May 17, 2013&lt;/span&gt;&lt;/h3&gt;
&lt;h3 class="time"&gt;Time: &lt;span&gt;8:30 PM&lt;/span&gt;&lt;/h3&gt;
&lt;h3 class="college"&gt;College: &lt;span&gt;Borough of Manhattan Community College&lt;/span&gt;&lt;/h3&gt;
&lt;h3 class="address"&gt;Address: &lt;span&gt;199 Chambers Street &lt;/span&gt;&lt;/h3&gt;
&lt;h3 class="building"&gt;Building: &lt;span&gt;Main&lt;/span&gt;&lt;/h3&gt;
&lt;h3 class="room"&gt;Room: &lt;span&gt;BMCC Tribeca Performing Arts Center&lt;/span&gt;&lt;/h3&gt;
&lt;h3 class="phone"&gt;Phone: &lt;span&gt;212-220-1459&lt;/span&gt;&lt;/h3&gt;
&lt;h3 class="admission"&gt;Admission: &lt;span&gt;$25 / students, seniors $15&lt;/span&gt;&lt;/h3&gt;
&lt;/blockquote&gt;
&lt;/div&gt;&lt;/p&gt;</description><link>http://steadyblogging.tumblr.com/post/50651801990</link><guid>http://steadyblogging.tumblr.com/post/50651801990</guid><pubDate>Fri, 17 May 2013 10:00:26 -0400</pubDate><category>jazz</category><category>charlie parker</category><category>cuny</category><category>music</category><category>rudresh mahanthappa</category></item><item><title>#CrowHill #CrownHeights #graffiti under the S tracks (at MTA...</title><description>&lt;img src="http://25.media.tumblr.com/0df93ef1bdcb3509bfdac5335756cfe8/tumblr_mmwmnyGz5H1qzaf8fo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;#CrowHill #CrownHeights #graffiti under the S tracks (at MTA Subway - S Franklin Ave Shuttle)&lt;/p&gt;</description><link>http://steadyblogging.tumblr.com/post/50590695826</link><guid>http://steadyblogging.tumblr.com/post/50590695826</guid><pubDate>Thu, 16 May 2013 14:43:10 -0400</pubDate><category>graffiti</category><category>crownheights</category><category>crowhill</category></item><item><title>Free shows tonight in NYC &amp; Monday night in DC. Via Burnt...</title><description>&lt;img src="http://25.media.tumblr.com/9d5d21463c0917605f9eb34c1bce1d0d/tumblr_mmwl5loeJZ1qzaf8fo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Free shows tonight in NYC &amp; Monday night in DC. Via &lt;a href="https://www.facebook.com/burntsugararkestra" target="_blank"&gt;Burnt Sugar’s fb&lt;/a&gt;:&lt;/p&gt;
&lt;p&gt;&lt;span class="fbPhotosPhotoCaption" data-ft='{"type":45}'&gt;&lt;span class="hasCaption"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div class="text_exposed_root text_exposed" id="id_5195200578b1c9933023654"&gt;
&lt;blockquote&gt;THE UPPER ANACOSTIA —LOWER GOLD COAST SYMPHONIC: DRUMS ALONG THE POTOMAC—A Global Go-Go Fantasia TUALGCS will debut a polyrhythmic and romantic orchestral Go-Go suite inspired by 70s spiritual-jazz balladry and the work of DC’s greatest cartographers in verse— notably Sterling Brown, Essex Hemphill, Jonetta Barras, Edward P. Jones, Rita Dove, Thomas Sayers Ellis, Monica Hand, Toni Asante Ligh&lt;span class="text_exposed_show"&gt;foot, and Etthelbert Miller. &lt;br/&gt;&lt;br/&gt;TUALGCS is a collaborative experimental ensemble comprised of Greg Tate, Marc Cary, talking drum master Abou Mboup, tabla master Sameer Gupta, poet Thomas Sayers Ellis, noted Washington D.C. Go Go players, Donnell Floyd, Go-Go Mickey &amp; Kenny “Kwick” Gross and musicians from Greg Tate’s Burnt Sugar the Arkestra Chamber. &lt;br/&gt;&lt;br/&gt;DRUMS ALONG THE POTOMAC—A Global Go-Go Fantasia was co-commissioned by Lincoln Center for the Performing Arts for the Target® Free Thursdays series at the David Rubenstein Atrium and the John F. Kennedy Center for the Performing Arts.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;THE UPPER ANACOSTIA — LOWER GOLD COAST SYMPHONIC &lt;br/&gt;Greg Tate - conduction/guitar/laptop&lt;br/&gt;Marc Cary - acoustic piano/electric piano/synthesizer&lt;br/&gt;D. Floyd - MC&lt;br/&gt;Thomas Sayers Ellis - poet&lt;br/&gt;Sameer Gupta - tabla&lt;br/&gt;Abdou Mboup - talking drum&lt;br/&gt;Lisala - vocals&lt;br/&gt;Meah Pace - vocals &lt;br/&gt;Mazz Swift - violin &amp; vocals&lt;br/&gt;V. Jeffery Smith - tenor sax&lt;br/&gt;Luqman Brown - trombone&lt;br/&gt;Ben Tyree - guitar &lt;br/&gt;Jason Di Matteo - acoustic bass&lt;br/&gt;Jared Michael Nickerson - electric bass&lt;br/&gt;Milton “Go-Go Mickey” Freeman - congas&lt;br/&gt;Kenny ‘Kwick’ Gross - drums &lt;br/&gt;&lt;br/&gt;&lt;br/&gt;Thursday, May 16th, 2013&lt;br/&gt;“Target Free” Thursdays presents at The David Rubenstein Atrium at Lincoln Center for the Performing Arts&lt;br/&gt;61 West 62 Street&lt;br/&gt;New York, NY 10023&lt;br/&gt;showtimes: 7:30pm &amp; 9pm&lt;br/&gt;Free to the Public&lt;br/&gt;All Ages&lt;br/&gt;Information: (212) 875-5350&lt;br/&gt;&lt;br/&gt;Target Free Thursdays is generously underwritten by Target. &lt;br/&gt;&lt;br/&gt;DRUMS ALONG THE POTOMAC—A Global Go-Go Fantasia was co-commissioned by Lincoln Center for the Performing Arts for the Target® Free Thursdays series at the David Rubenstein Atrium and the John F. Kennedy Center for the Performing Arts.&lt;br/&gt;&lt;br/&gt;**************************&lt;span class="word_break"&gt;&lt;/span&gt;*********************&lt;br/&gt;&lt;br/&gt;Monday, May 20th, 2013&lt;br/&gt;The Grand Foyer Millennium Stage &lt;br/&gt;at &lt;br/&gt;The John F. Kennedy Center for the Performing Arts&lt;br/&gt;2700 F Street, NW &lt;br/&gt;Washington, DC 20566&lt;br/&gt;6pm showtime&lt;br/&gt;Free to the Public&lt;br/&gt;All Ages&lt;br/&gt;Information: 800-444-1324 or 202-467-4600&lt;br/&gt;The Millennium Stage was created and underwritten by James A. Johnson and Maxine Isaacs to make the performing arts accessible to everyone in fulfillment of the Kennedy Center’s mission to its community and the nation.&lt;br/&gt;The Millennium Stage is brought to the public by Target Stores, with additional funding provided byCapital One Bank, DC Commission on the Arts and Humanities, The Isadore and Bertha Gudelsky Family Foundation, Inc., The J. Willard and Alice S. Marriott Foundation, Jaylee M. Mead†, The Meredith Foundation,The Morris and Gwendolyn Cafritz Foundation,Suzy and Bob Pence, Dr. Deborah Rose and Dr. Jan A.J. Stolwijk, Thomas W. Haas Foundation,U.S. Department of Education, and the Millennium Stage Endowment Fund.&lt;br/&gt;Millennium Stage Endowment Fund - James A. Johnson and Maxine Isaacs, Fannie Mae Foundation,James V. Kimsey, Gilbert† and Jaylee† Mead, Mortgage Bankers Association of America, Anonymous,and other gifts to secure the future of the Millennium Stage. &lt;br/&gt;&lt;a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fburntsugarindex.com%2Fthe-upper-anacostia-lower-gold-coast-symphonic-drums-along-the-potomac-a-global-go-go-fantasia%2F&amp;h=DAQH4y1u2&amp;s=1" rel="nofollow nofollow" target="_blank"&gt;http://&lt;span class="word_break"&gt;&lt;/span&gt;burntsugarindex.com/&lt;span class="word_break"&gt;&lt;/span&gt;the-upper-anacostia-lower-g&lt;span class="word_break"&gt;&lt;/span&gt;old-coast-symphonic-drums-&lt;span class="word_break"&gt;&lt;/span&gt;along-the-potomac-a-global&lt;span class="word_break"&gt;&lt;/span&gt;-go-go-fantasia/&lt;/a&gt;&lt;/span&gt;&lt;/blockquote&gt;
&lt;/div&gt;
&lt;p&gt;&lt;span class="fbPhotosPhotoCaption" id="fbPhotoSnowliftCaption" data-ft='{"type":45}'&gt;&lt;span class="hasCaption"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="fbPhotoTagList" id="fbPhotoSnowliftTagList"&gt;&lt;span class="fcg"&gt; — with &lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" href="https://www.facebook.com/jared.m.nickerson" data-tag="737975256" data-hovercard="/ajax/hovercard/hovercard.php?id=737975256&amp;type=mediatag&amp;media_info=6.10151570933986170" data-hovercard-instant="1" target="_blank"&gt;Jared Michael Nickerson&lt;/a&gt;&lt;/span&gt; and &lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" href="https://www.facebook.com/Congoblondie" id="js_7" data-tag="802711037" data-hovercard="/ajax/hovercard/hovercard.php?id=802711037&amp;type=mediatag&amp;media_info=6.10151570933986170" data-hovercard-instant="1" target="_blank"&gt;Greg Tate&lt;/a&gt;&lt;/span&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://steadyblogging.tumblr.com/post/50588882355</link><guid>http://steadyblogging.tumblr.com/post/50588882355</guid><pubDate>Thu, 16 May 2013 14:10:50 -0400</pubDate><category>Burnt Sugar Arkestra</category><category>lincoln center</category><category>music</category></item><item><title>NYC CitiBike bike-share program launches Memorial Day, 20 months...</title><description>&lt;img src="http://24.media.tumblr.com/ac72e38d78fcb74bc81232d7b78ec056/tumblr_mmvfmnAz991qzaf8fo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;NYC &lt;a href="http://citibikenyc.com/" target="_blank"&gt;CitiBike&lt;/a&gt; bike-share program launches Memorial Day, &lt;a href="http://www.nytimes.com/2011/09/15/nyregion/new-york-picks-alta-to-run-bike-share-program.html?_r=0" target="_blank"&gt;20 months after it was first announced&lt;/a&gt;&lt;span&gt;. &lt;/span&gt;&lt;span&gt;If you&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;a href="https://citibikenyc.com/signup" target="_blank"&gt;sign up&lt;/a&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;for a&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;a href="http://citibikenyc.com/pricing" target="_blank"&gt;$100 annual membership&lt;/a&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;by tomorrow, you’ll be able to start using it from Day 1 (day &amp; weekly passes go into effect a week later).&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Station map &lt;a href="http://citibikenyc.com/stations" target="_blank"&gt;here&lt;/a&gt;. More v&lt;span&gt;ia Wikipedia:&lt;/span&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;span&gt;The system will initially consist of 5,500 bicycles and nearly 300 stations in parts of Manhattan and Brooklyn.&lt;/span&gt;&lt;sup class="reference" id="cite_ref-9"&gt;&lt;a href="http://en.wikipedia.org/wiki/Citi_Bike#cite_note-9" target="_blank"&gt;[9]&lt;/a&gt;&lt;/sup&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;It will later expand to 10,000+ bicycles and 600+ stations in Manhattan south of 79th Street plus stations in several Brooklyn neighborhoods, including&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/Greenpoint,_Brooklyn" title="Greenpoint, Brooklyn" target="_blank"&gt;Greenpoint&lt;/a&gt;&lt;span&gt;, Crown Heights,&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Bedford-Stuyvesant" title="Bedford-Stuyvesant" target="_blank"&gt;Bedford-Stuyvesant&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Park_Slope" title="Park Slope" target="_blank"&gt;Park Slope&lt;/a&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;and&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Carroll_Gardens" title="Carroll Gardens" target="_blank"&gt;Carroll Gardens&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;&lt;sup class="reference" id="cite_ref-10"&gt;&lt;a href="http://en.wikipedia.org/wiki/Citi_Bike#cite_note-10" target="_blank"&gt;[10]&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://steadyblogging.tumblr.com/post/50585076918</link><guid>http://steadyblogging.tumblr.com/post/50585076918</guid><pubDate>Thu, 16 May 2013 13:00:04 -0400</pubDate><category>citibike</category><category>bike share</category><category>bicycling</category><category>nyc</category><category>New York City</category></item><item><title>Raw/Cooked: Michael Ballou at Brooklyn Museum:

The eighth...</title><description>&lt;img src="http://25.media.tumblr.com/3967198a289e52f1a9b2373ae69687c2/tumblr_mmwdynTfYe1qzaf8fo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="https://www.brooklynmuseum.org/exhibitions/raw_cooked_ballou/" target="_blank"&gt;Raw/Cooked: Michael Ballou&lt;/a&gt; at Brooklyn Museum:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The eighth exhibition in the &lt;em&gt;Raw/Cooked &lt;/em&gt;series presents the work of Williamsburg’s Michael Ballou. A multimedia artist whose practice incorporates sculpture, performance, and collaboration, Ballou has altered three spaces in the Brooklyn Museum with site-specific installations. Connecting them is his interest in the appearance, behavior, and inner lives of animals. Spilling out of a large-scale vitrine in the fourth-floor Decorative Arts galleries, Ballou’s &lt;em&gt;Dog Years&lt;/em&gt; is a monumental construction of over sixty dog head sculptures, modeled on animals of his acquaintance. &lt;em&gt;Go-Go&lt;/em&gt;, a light and sound installation, enlivens the fifth-floor elevator lobby with a mobile puppet suspended from the ceiling, ambient music, and the play of projected light and shadows on the walls. Collaborative project &lt;em&gt;Pencil Holders&lt;/em&gt; was conceived in response to the Museum’s Luce Visible Storage ▪ Study Center. Drawn to the Center’s encyclopedic holdings, which evoke a cabinet of curiosities, Ballou added several of his ceramic sculptures to a shelf. They’re accompanied by fictional texts created by six authors invited to respond to Luce’s holdings, accessible by QR code. The authors include Stephanie Barber, David Brody, James Hannaham, Kurt Hoffman, Helen Phillips, and Matthew Sharpe. The fictional &lt;em&gt;Pencil Holders&lt;/em&gt; text can also be found at&lt;a href="http://www.pencil-holders.org/" target="_blank"&gt;&lt;a href="http://www.pencil-holders.org" target="_blank"&gt;www.pencil-holders.org&lt;/a&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;The second season of &lt;em&gt;Raw/Cooked &lt;/em&gt;presents a series of four exhibitions by under-the-radar Brooklyn artists who have been invited by the Museum, with support from Bloomberg, to show their first major museum exhibitions. The artists are given the opportunity to work with the Museum’s collections and to display in spaces of their choosing, however unconventional.&lt;/p&gt;
&lt;p&gt;The four artists in the series were recommended by an advisory board of well-known Brooklyn artists. Museum curator Eugenie Tsai made the final selections. Michael Ballou was recommended by Amy Sillman.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://steadyblogging.tumblr.com/post/50580784642</link><guid>http://steadyblogging.tumblr.com/post/50580784642</guid><pubDate>Thu, 16 May 2013 11:35:00 -0400</pubDate><category>art</category><category>artist</category><category>brooklyn</category><category>Brooklyn Museum</category></item><item><title>“Scratch Goes to the New Museum – NYC 1993: Experimental...</title><description>&lt;iframe src="http://player.vimeo.com/video/65849743" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“&lt;a href="http://scratchblog.viacom.com/" target="_blank"&gt;Scratch&lt;/a&gt; Goes to the &lt;a href="http://www.newmuseum.org/exhibitions/view/nyc-1993-experimental-jet-set-trash-and-no-star" target="_blank"&gt;New Museum – NYC 1993: Experimental Jet Set, Trash and No Star&lt;/a&gt;” (by &lt;a href="http://vimeo.com/65849743" target="_blank"&gt;Scratch Vimeo&lt;/a&gt;)&lt;/p&gt;</description><link>http://steadyblogging.tumblr.com/post/50574181556</link><guid>http://steadyblogging.tumblr.com/post/50574181556</guid><pubDate>Thu, 16 May 2013 09:03:12 -0400</pubDate><category>video</category><category>museum</category><category>new museum</category><category>nyc</category><category>art</category></item><item><title>Italian deli, now under Uruguayan ownership (at M &amp; S Prime...</title><description>&lt;img src="http://24.media.tumblr.com/4a6b2de5f1bdb1a62e6cc9911ba1b640/tumblr_mmukl64XJN1qzaf8fo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Italian deli, now under Uruguayan ownership (at M &amp; S Prime Meats)&lt;/p&gt;</description><link>http://steadyblogging.tumblr.com/post/50501476322</link><guid>http://steadyblogging.tumblr.com/post/50501476322</guid><pubDate>Wed, 15 May 2013 12:03:06 -0400</pubDate></item><item><title>“CourtVision: Just How Good Are Stephen Curry and Klay...</title><description>&lt;img src="http://25.media.tumblr.com/88645e8fe306c1a9f3fd2f60dddeb66c/tumblr_mmspo0GjbJ1qzaf8fo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“&lt;a href="http://www.grantland.com/blog/the-triangle/post/_/id/60719/page/nba-130502/courtvision-just-how-good-are-stephen-curry-and-klay-thompson" target="_blank"&gt;CourtVision: Just How Good Are Stephen Curry and Klay Thompson? - The Triangle Blog - Grantland&lt;/a&gt;” by &lt;a href="http://www.grantland.com/contributor/_/name/kirk-goldsberry" target="_blank"&gt;Kirk Goldsberry&lt;/a&gt;&lt;span&gt; (&lt;/span&gt;&lt;a href="https://twitter.com/kirkgoldsberry" target="_blank"&gt;@kirkgoldsberry&lt;/a&gt;&lt;span&gt;) “a professor, a cartographer, and a contributor to Grantland”&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Re Steph Curry:&lt;/span&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;span&gt;He’s an incredible shooter. In fact he may be the best in the world at converting jump shot opportunities into points. To borrow a concept from the legendary Bob Ryan, if the aliens came down and challenged humanity with a winner-take-all game of H-O-R-S-E, of all the current NBA players I would definitely nominate Stephen Curry to be our representative in that game. Curry’s shot chart reflects this greatness; he puts up stellar numbers virtually everywhere along the perimeter.&lt;/span&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://steadyblogging.tumblr.com/post/50429816112</link><guid>http://steadyblogging.tumblr.com/post/50429816112</guid><pubDate>Tue, 14 May 2013 13:30:21 -0400</pubDate><category>data visualization</category><category>nba</category><category>golden state warriors</category><category>grantland</category><category>stephen curry</category><category>klay thompson</category><category>data</category><category>basketball</category></item><item><title>NYC, get your bikes tuned up: Bike to Work Day | BikeNYC is this...</title><description>&lt;img src="http://25.media.tumblr.com/7c714b1f664667f8efe45f01007429fc/tumblr_mmsh8cDQTk1qzaf8fo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;NYC, get your bikes tuned up: &lt;a href="http://bikenyc.org/biketowork" target="_blank"&gt;Bike to Work Day | BikeNYC&lt;/a&gt; is this Friday, May 17. With 7 different AM fueling stations and a PM Bike Home From Work Party in Dumbo.&lt;/p&gt;</description><link>http://steadyblogging.tumblr.com/post/50419690397</link><guid>http://steadyblogging.tumblr.com/post/50419690397</guid><pubDate>Tue, 14 May 2013 10:00:18 -0400</pubDate><category>transit</category><category>transportation alternatives</category><category>bike to work</category><category>bicycling</category><category>commute</category><category>nyc</category><category>brooklyn</category></item><item><title>In 1897, a Bicycle Superhighway Was the Future of California...</title><description>&lt;img src="http://25.media.tumblr.com/b8f10f5a2a7b2e72d415f5d51bf994f8/tumblr_mmqls46EI91qzaf8fo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://motherboard.vice.com/blog/in-1897-a-bicycle-superhighway-was-the-future-of-california-transit" target="_blank"&gt;In 1897, a Bicycle Superhighway Was the Future of California Transit | Motherboard&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In 1897, a wealthy American businessman named Horace Dobbins began construction on a private, for-profit bicycle superhighway that would stretch from Pasadena to downtown Los Angeles. It may seem like a preposterous notion now—everyone knows Angelenos don’t get out of their cars—but at the time, amidst the height of a pre-automobile worldwide cycling boom, the idea attracted the attention of some hugely powerful players. &lt;a href="http://highlandpark.wordpress.com/2010/12/14/remembering-the-great-california-cycleway/" target="_blank"&gt;And it almost got built&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://steadyblogging.tumblr.com/post/50338413592</link><guid>http://steadyblogging.tumblr.com/post/50338413592</guid><pubDate>Mon, 13 May 2013 08:42:59 -0400</pubDate><category>bicycling</category><category>los angeles</category><category>infrastructure</category><category>transit</category></item><item><title>Egotrip posted this:

This Mothers Day, you might think twice...</title><description>&lt;iframe src="http://player.vimeo.com/video/6453967" width="400" height="300" frameborder="0"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Egotrip posted this:&lt;/p&gt;
&lt;blockquote class="twitter-tweet"&gt;
&lt;p&gt;This Mothers Day, you might think twice about dedicating any of THESE songs to your mom: &lt;a href="http://t.co/h6dBk3C7mi" title="http://bit.ly/13K5aBz" target="_blank"&gt;bit.ly/13K5aBz&lt;/a&gt;&lt;/p&gt;
&lt;div&gt;— ego trip (@egotripland)&lt;/div&gt;
&lt;div&gt;&lt;a href="https://twitter.com/egotripland/status/332874603259101186" target="_blank"&gt;May 10, 2013&lt;/a&gt;&lt;/div&gt;
&lt;/blockquote&gt;
&lt;p&gt;..which led me to look up this Ghostface’s classic. Simultaneously touching and harrowing. Read along on &lt;a href="http://rapgenius.com/Ghostface-killah-all-that-i-got-is-you-lyrics" target="_blank"&gt;Rap Geniius&lt;/a&gt;.&lt;/p&gt;</description><link>http://steadyblogging.tumblr.com/post/50264880032</link><guid>http://steadyblogging.tumblr.com/post/50264880032</guid><pubDate>Sun, 12 May 2013 12:00:24 -0400</pubDate><category>ghostface killah</category><category>mary j. blige</category><category>music</category><category>hip hop</category></item><item><title>Iron Mike (at Free Candy)</title><description>&lt;img src="http://25.media.tumblr.com/77c3fddac07d6bb012d946303177eb7f/tumblr_mmo0d0AfsE1qzaf8fo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Iron Mike (at Free Candy)&lt;/p&gt;</description><link>http://steadyblogging.tumblr.com/post/50219168047</link><guid>http://steadyblogging.tumblr.com/post/50219168047</guid><pubDate>Sat, 11 May 2013 23:00:36 -0400</pubDate></item><item><title>Thursday on San Francisco’s Market...</title><description>&lt;img src="http://25.media.tumblr.com/4fd85475bc28411d86bb25de256203a9/tumblr_mmlfyjaNBi1qzaf8fo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Thursday on San Francisco’s &lt;span&gt;Market Street—&lt;/span&gt;&lt;span&gt;”&lt;/span&gt;&lt;a href="http://www.sfbike.org/main/todays-bike-to-work-day-breaks-all-records/" target="_blank"&gt;Bike to Work Day Breaks All Records&lt;/a&gt;&lt;span&gt;”:&lt;/span&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Manual bike counts by the San Francisco Municipal Transportation Agency at Market Street and Van Ness Avenue showed that bikes accounted for 76% of all eastbound traffic between 8:30 and 9:30AM, the highest percentage since the SFMTA began counting in 1998. In the last five years, Bike to Work Day bike counts have increased 20%, from 54% of traffic to 76%.&lt;/p&gt;
&lt;p&gt;While the highest ever Bike to Work Day bike counts are impressive, the counts the SFMTA conducted on an average workday are equally impressive. On Thursday, April 18, bikes accounted for 66% of all inbound traffic at Market and Van Ness, up 3% since last year. Bike traffic has soared in the last five years on Market Street on regular days, going from about 38% of trips to 67% of vehicles on the street.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://steadyblogging.tumblr.com/post/50173022443</link><guid>http://steadyblogging.tumblr.com/post/50173022443</guid><pubDate>Sat, 11 May 2013 12:00:18 -0400</pubDate><category>san francisco</category><category>bicycling</category><category>transit</category></item><item><title>Via @anildash:

25 years ago today, Prince released his album...</title><description>&lt;iframe class="spotify_audio_player" src="https://embed.spotify.com/?uri=spotify%3Atrack%3A22lmcBp9KjKcn4C3MAcxF6&amp;view=coverart" frameborder="0" allowtransparency="true" width="500" height="580"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Via &lt;a href="https://twitter.com/anildash/status/332878244745461760" target="_blank"&gt;@anildash&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote class="twitter-tweet"&gt;
&lt;p&gt;25 years ago today, Prince released his album Lovesexy. Please change your avatar in recognition. &lt;a href="https://twitter.com/search/%23LookAtThatStamen" target="_blank"&gt;#LookAtThatStamen&lt;/a&gt; &lt;a href="http://t.co/WX3piiMYbI" title="http://twitter.com/anildash/status/332878244745461760/photo/1" target="_blank"&gt;twitter.com/anildash/statu…&lt;/a&gt;&lt;/p&gt;
&lt;div&gt;— Anil Dash (@anildash)&lt;/div&gt;
&lt;div&gt;&lt;a href="https://twitter.com/anildash/status/332878244745461760" target="_blank"&gt;May 10, 2013&lt;/a&gt;&lt;/div&gt;
&lt;/blockquote&gt;
&lt;p&gt;Via &lt;a href="http://en.wikipedia.org/wiki/Lovesexy" target="_blank"&gt;Wikipedia&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;&lt;strong&gt;Lovesexy&lt;/strong&gt;&lt;/em&gt; is the tenth &lt;a href="http://en.wikipedia.org/wiki/Studio_album" title="Studio album" target="_blank"&gt;studio album&lt;/a&gt; by &lt;a href="http://en.wikipedia.org/wiki/Prince_(musician)" title="Prince (musician)" target="_blank"&gt;Prince&lt;/a&gt;, released on May 10, 1988. &lt;em&gt;Lovesexy&lt;/em&gt; was issued as a substitute record after the release of the infamous &lt;em&gt;&lt;a href="http://en.wikipedia.org/wiki/The_Black_Album_(Prince_album)" title="The Black Album (Prince album)" target="_blank"&gt;The Black Album&lt;/a&gt;&lt;/em&gt; had been suddenly cancelled. &lt;em&gt;The Black Album&lt;/em&gt; and &lt;em&gt;Lovesexy&lt;/em&gt; almost act as companion pieces, sharing the song “When 2 R in Love”, but are nearly opposite in theme. The album was recorded in just seven weeks, from mid-December 1987 to late January 1988, at Prince’s new &lt;a href="http://en.wikipedia.org/wiki/Paisley_Park_Records" title="Paisley Park Records" target="_blank"&gt;Paisley Park Records&lt;/a&gt;, and most of the album is a solo effort from Prince, with a few exceptions…As opposed to the &lt;a href="http://en.wikipedia.org/wiki/Gramophone_record" title="Gramophone record" target="_blank"&gt;LP&lt;/a&gt; release, early &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Compact_Disc" title="Compact Disc" target="_blank"&gt;CD&lt;/a&gt; copies of &lt;em&gt;Lovesexy&lt;/em&gt; have the entire album in sequence as a single track, so the album is heard in the context of a continuous sequence, though later editions have it as nine separate tracks.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;And a review via &lt;a href="http://www.allmusic.com/album/lovesexy-mw0000195674" target="_blank"&gt;AllMusic&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;It’s nearly impossible to judge &lt;a class="album-link" href="http://www.allmusic.com/album/lovesexy-mw0000195674" target="_blank"&gt;Lovesexy&lt;/a&gt; as anything but a hastily assembled substitute for the withdrawn&lt;a class="album-link" href="http://www.allmusic.com/album/black-album-mw0000194312" target="_blank"&gt;Black Album&lt;/a&gt;, which does the record a disservice. An exactingly sequenced song cycle — the compact disc didn’t have index markings to separate the individual tracks — &lt;a class="album-link" href="http://www.allmusic.com/album/lovesexy-mw0000195674" target="_blank"&gt;Lovesexy&lt;/a&gt; is quite a different record than not only &lt;a class="album-link" href="http://www.allmusic.com/album/the-black-album-mw0000194312" target="_blank"&gt;The Black Album&lt;/a&gt;, but anything else &lt;a class="name-link" href="http://www.allmusic.com/artist/prince-mn0000361393" target="_blank"&gt;Prince&lt;/a&gt; had recorded. Where &lt;a class="album-link" href="http://www.allmusic.com/album/dirty-mind-mw0000191363" target="_blank"&gt;Dirty Mind&lt;/a&gt; was single-minded in its lust, &lt;a class="album-link" href="http://www.allmusic.com/album/lovesexy-mw0000195674" target="_blank"&gt;Lovesexy&lt;/a&gt; connects the carnal with spiritual, and the calmness of the music reflects this outlook. Even when the record dips into hard funk, such as on the title track or the single “Alphabet Street,” there’s a relaxed, casual quality to the music that is shocking after the dense paranoia of &lt;a class="album-link" href="http://www.allmusic.com/album/parade-mw0000650653" target="_blank"&gt;Parade&lt;/a&gt;, &lt;a class="album-link" href="http://www.allmusic.com/album/sign-o-the-times-mw0000195348" target="_blank"&gt;Sign ‘o’ the Times&lt;/a&gt;, and &lt;a class="album-link" href="http://www.allmusic.com/album/the-black-album-mw0000194312" target="_blank"&gt;The Black Album&lt;/a&gt;. &lt;a class="name-link" href="http://www.allmusic.com/artist/prince-mn0000361393" target="_blank"&gt;Prince&lt;/a&gt; intends to enter a new phase of maturity with such considered music and ambitious lyrical themes, but neither his music nor his lyrics are consistently well stated over the course of the album. A handful of tracks are worthwhile — the sappy ballad “When 2 R in Love,” the moving “I Wish U Heaven,” the weird psychedelia of “Anna Stesia” and “Glam Slam,” as well as the wonderful “Alphabet Street” — but &lt;a class="album-link" href="http://www.allmusic.com/album/lovesexy-mw0000195674" target="_blank"&gt;Lovesexy&lt;/a&gt; is his weakest album since &lt;a class="album-link" href="http://www.allmusic.com/album/controversy-mw0000195347" target="_blank"&gt;Controversy&lt;/a&gt;.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Hard to argue with that conclusion—in retrospect this album marked the end of Prince’s remarkable creative run. with 9 albums in 10 years:&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;&lt;em&gt;&lt;a href="http://en.wikipedia.org/wiki/For_You_(Prince_album)" title="For You (Prince album)" target="_blank"&gt;For You&lt;/a&gt;&lt;/em&gt; (1978)&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;a href="http://en.wikipedia.org/wiki/Prince_(album)" title="Prince (album)" target="_blank"&gt;Prince&lt;/a&gt;&lt;/em&gt; (1979)&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;a href="http://en.wikipedia.org/wiki/Dirty_Mind" title="Dirty Mind" target="_blank"&gt;Dirty Mind&lt;/a&gt;&lt;/em&gt; (1980)&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;a href="http://en.wikipedia.org/wiki/Controversy_(Prince_album)" title="Controversy (Prince album)" target="_blank"&gt;Controversy&lt;/a&gt;&lt;/em&gt; (1981)&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;a href="http://en.wikipedia.org/wiki/1999_(album)" title="1999 (album)" target="_blank"&gt;1999&lt;/a&gt;&lt;/em&gt; (1982)&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;a href="http://en.wikipedia.org/wiki/Purple_Rain_(album)" title="Purple Rain (album)" target="_blank"&gt;Purple Rain&lt;/a&gt;&lt;/em&gt; (1984)&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;a href="http://en.wikipedia.org/wiki/Around_the_World_in_a_Day" title="Around the World in a Day" target="_blank"&gt;Around the World in a Day&lt;/a&gt;&lt;/em&gt; (1985)&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;a href="http://en.wikipedia.org/wiki/Parade_(Prince_album)" title="Parade (Prince album)" target="_blank"&gt;Parade&lt;/a&gt;&lt;/em&gt; (1986)&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;a href="http://en.wikipedia.org/wiki/Sign_%22O%22_the_Times" title='Sign "O" the Times' target="_blank"&gt;Sign “O” the Times&lt;/a&gt;&lt;/em&gt; (1987)&lt;/li&gt;
&lt;li&gt;&lt;em&gt;&lt;a href="http://en.wikipedia.org/wiki/Lovesexy" title="Lovesexy" target="_blank"&gt;Lovesexy&lt;/a&gt;&lt;/em&gt; (1988)&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;</description><link>http://steadyblogging.tumblr.com/post/50096626869</link><guid>http://steadyblogging.tumblr.com/post/50096626869</guid><pubDate>Fri, 10 May 2013 12:47:00 -0400</pubDate><category>music</category><category>spotify</category><category>prince</category><category>lovesexy</category></item><item><title>
The St Paul to London Intercontinental Railway. 1871....</title><description>&lt;img src="http://25.media.tumblr.com/30e578cb456d91b0aea2b626fadc14da/tumblr_mml7y7jLRn1qzaf8fo1_500.png"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;blockquote class="twitter-tweet"&gt;
&lt;p&gt;The St Paul to London Intercontinental Railway. 1871. &lt;a href="http://t.co/AuoUG2JzR4" title="http://www.wnyc.org/blogs/transportation-nation/2010/dec/06/a-bridge-to-london/" target="_blank"&gt;wnyc.org/blogs/transpor…&lt;/a&gt; @&lt;a href="https://twitter.com/transitmap" target="_blank"&gt;transitmap&lt;/a&gt;&lt;/p&gt;
— Taras Grescoe (@grescoe) &lt;a href="https://twitter.com/grescoe/status/332661656888946690" target="_blank"&gt;May 10, 2013&lt;/a&gt;&lt;/blockquote&gt;
&lt;script charset="utf-8" src="//platform.twitter.com/widgets.js" type="text/javascript"&gt;&lt;/script&gt;&lt;p&gt;Link is WNYC’s TransportationNation blog repost of an MPR item on this Minnesota Historical Society map:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Who says people out here in Flyoverland don’t dream big  transportation dreams?  Remember the contemporary kerfuffle over the bridge to nowhere?  Well, here’s  a circa 1871 vision for a bridge to somewhere — a rail line from St. Paul to the East Coast, with a bridge to London! Note the heading reads “St. Paul in the year 1900.”&lt;/p&gt;
&lt;p&gt;It’s a map in the &lt;a href="http://www.mnhs.org/index.htm" target="_blank"&gt;Minnesota Historical Society&lt;/a&gt; collection in St. Paul.  MnHS curator and map wrangler Patrick Coleman says the idea was created by the Tea Partiers of that era. Check with him for more on that.&lt;/p&gt;

&lt;/blockquote&gt;</description><link>http://steadyblogging.tumblr.com/post/50091817388</link><guid>http://steadyblogging.tumblr.com/post/50091817388</guid><pubDate>Fri, 10 May 2013 11:08:48 -0400</pubDate><category>transit</category><category>railroad</category><category>map</category><category>transportation</category><category>minnesota</category><category>st paul</category></item></channel></rss>
