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Wax Poetics - Issue 54:

Issue 54 split covers celebrate two scenes— blue-eyed soul and Brooklyn MCs—brought together as only Wax Poetics can.
 
Cover one features the poster boy for the blue-eyed-soul movement, Daryl Hall. Wax Poetics digs deep into the scene with features on Bobby Caldwell, Donald Fagen of Steely Dan, Laura Nyro, and Ned Doheny. 
 
Cover two sports legendary Brooklyn MC and Juice Crew alum Big Daddy Kane, backed with new Brooklyn mic killer Joey Badass. And we venture farther back in time to speak with the elusive old school BK rapper Jimmy Spicer. 

Wax Poetics - Issue 54:

Issue 54 split covers celebrate two scenes— blue-eyed soul and Brooklyn MCs—brought together as only Wax Poetics can.
 
Cover one features the poster boy for the blue-eyed-soul movement, Daryl Hall. Wax Poetics digs deep into the scene with features on Bobby Caldwell, Donald Fagen of Steely Dan, Laura Nyro, and Ned Doheny. 
 
Cover two sports legendary Brooklyn MC and Juice Crew alum Big Daddy Kane, backed with new Brooklyn mic killer Joey Badass. And we venture farther back in time to speak with the elusive old school BK rapper Jimmy Spicer. 
DC Makes Progress on Bike Lanes But Advocates See Room For Improvement - via WNYC’s TransportationNation:

The world got to see one of Washington’s most popular cycle tracks on Inauguration Day, when President Obama made his way down the center of Pennsylvania Avenue NW and over the two-way cycle track, located in the roadway’s median. 
On days when there are no presidential parades, the procession is more mundane: motorists idling at traffic lights, bicycles whirring by—and illegal U-turns.
[…]
Advocates say plastic bollards installed down the middle of the avenue would immediately stop the U-turns, but the U.S. Commission on Fine Arts opposes the use of plastic posts.
According to the D.C. Department of Transportation, there was a 200 percent increase in bicyclist volume along Pennsylvania Avenue after the cycle-track was installed.

DC Makes Progress on Bike Lanes But Advocates See Room For Improvement - via WNYC’s TransportationNation:

The world got to see one of Washington’s most popular cycle tracks on Inauguration Day, when President Obama made his way down the center of Pennsylvania Avenue NW and over the two-way cycle track, located in the roadway’s median. 

On days when there are no presidential parades, the procession is more mundane: motorists idling at traffic lights, bicycles whirring by—and illegal U-turns.

[…]

Advocates say plastic bollards installed down the middle of the avenue would immediately stop the U-turns, but the U.S. Commission on Fine Arts opposes the use of plastic posts.

According to the D.C. Department of Transportation, there was a 200 percent increase in bicyclist volume along Pennsylvania Avenue after the cycle-track was installed.

A walking tour of Bedford Ave in Crown Heights - “Brooklyn’s Automobile Row” (organized by Municipal Arts Society of NY):

For the first half of the 20th century, Bedford Avenue, between Fulton Street and Empire Boulevard in Crown Heights, was known as “Automobile Row,” because of the many car dealerships, showrooms, garages and related auto businesses and events that lined the Avenue. What was going on around Bedford Avenue, architecturally and historically, during this time and why was Bedford Avenue chosen for these businesses? Join guides Suzanne Spellen, writer and architectural historian, aka columnist “Montrose Morris” on Brownstoner.com; and Morgan Munsey, architect and architectural historian, for a tour examining this important part of Brooklyn’s development. We’ll look at the fine architecture that distinguished these businesses, as well as the surrounding area. We’ll look at and we’ll take you to those same dealerships and garages, many now repurposed, what gave shape to the we will explore how that shaped the rise and fall of Brooklyn’s Automobile Row.
Date:Sunday, May 19thTime:11:00 AM
Cost: $20 / $15 Members.

(Photo of the old Studebaker showroom via the OnBedfordAve tumblr)

A walking tour of Bedford Ave in Crown Heights - “Brooklyn’s Automobile Row” (organized by Municipal Arts Society of NY):

For the first half of the 20th century, Bedford Avenue, between Fulton Street and Empire Boulevard in Crown Heights, was known as “Automobile Row,” because of the many car dealerships, showrooms, garages and related auto businesses and events that lined the Avenue. What was going on around Bedford Avenue, architecturally and historically, during this time and why was Bedford Avenue chosen for these businesses? Join guides Suzanne Spellen, writer and architectural historian, aka columnist “Montrose Morris” on Brownstoner.com; and Morgan Munsey, architect and architectural historian, for a tour examining this important part of Brooklyn’s development. We’ll look at the fine architecture that distinguished these businesses, as well as the surrounding area. We’ll look at and we’ll take you to those same dealerships and garages, many now repurposed, what gave shape to the we will explore how that shaped the rise and fall of Brooklyn’s Automobile Row.

Date:Sunday, May 19th
Time:11:00 AM

Cost: $20 / $15 Members.

(Photo of the old Studebaker showroom via the OnBedfordAve tumblr)

Park Slope #Citibike station (at MTA Subway - Atlantic Ave/Barclays Center (B/D/N/Q/R/2/3/4/5))

Park Slope #Citibike station (at MTA Subway - Atlantic Ave/Barclays Center (B/D/N/Q/R/2/3/4/5))

"Charlie Parker: Timeless Innovation" with Rudresh Mahanthappa

Via CUNY Events Calendar, a jazz thing tonight at BMCC:

Rudresh Mahanthappa will present recontextualizations of Charlie Parker’s work as well as new material based on extractions of Bird’s vocabulary as both composer and improviser. Mahanthappa’s celebrated groundbreaking approach of synthesizing the traditions of jazz with modern musical concepts exemplifies the spirit of Bird. With some of NYC’s finest instrumentalists as a rhythm section, this evening will highlight the relevancy of Parker as a contemporary and timeless icon of modern music. Film screening: Celebrating Bird: The Triumph of Charlie Parker Friday, May 17 at 7PM, FREE

Date: May 17, 2013

Time: 8:30 PM

College: Borough of Manhattan Community College

Address: 199 Chambers Street 

Building: Main

Room: BMCC Tribeca Performing Arts Center

Phone: 212-220-1459

Admission: $25 / students, seniors $15

#CrowHill #CrownHeights #graffiti under the S tracks (at MTA Subway - S Franklin Ave Shuttle)

#CrowHill #CrownHeights #graffiti under the S tracks (at MTA Subway - S Franklin Ave Shuttle)

Free shows tonight in NYC & Monday night in DC. Via Burnt Sugar’s fb:


THE UPPER ANACOSTIA —LOWER GOLD COAST SYMPHONIC: DRUMS ALONG THE POTOMAC—A Global Go-Go Fantasia TUALGCS will debut a polyrhythmic and romantic orchestral Go-Go suite inspired by 70s spiritual-jazz balladry and the work of DC’s greatest cartographers in verse— notably Sterling Brown, Essex Hemphill, Jonetta Barras, Edward P. Jones, Rita Dove, Thomas Sayers Ellis, Monica Hand, Toni Asante Lighfoot, and Etthelbert Miller. TUALGCS is a collaborative experimental ensemble comprised of Greg Tate, Marc Cary, talking drum master Abou Mboup, tabla master Sameer Gupta, poet Thomas Sayers Ellis, noted Washington D.C. Go Go players, Donnell Floyd, Go-Go Mickey & Kenny “Kwick” Gross and musicians from Greg Tate’s Burnt Sugar the Arkestra Chamber. DRUMS ALONG THE POTOMAC—A Global Go-Go Fantasia was co-commissioned by Lincoln Center for the Performing Arts for the Target® Free Thursdays series at the David Rubenstein Atrium and the John F. Kennedy Center for the Performing Arts.THE UPPER ANACOSTIA — LOWER GOLD COAST SYMPHONIC Greg Tate - conduction/guitar/laptopMarc Cary - acoustic piano/electric piano/synthesizerD. Floyd - MCThomas Sayers Ellis - poetSameer Gupta - tablaAbdou Mboup - talking drumLisala - vocalsMeah Pace - vocals Mazz Swift - violin & vocalsV. Jeffery Smith - tenor saxLuqman Brown - tromboneBen Tyree - guitar Jason Di Matteo - acoustic bassJared Michael Nickerson - electric bassMilton “Go-Go Mickey” Freeman - congasKenny ‘Kwick’ Gross - drums Thursday, May 16th, 2013“Target Free” Thursdays presents at The David Rubenstein Atrium at Lincoln Center for the Performing Arts61 West 62 StreetNew York, NY 10023showtimes: 7:30pm & 9pmFree to the PublicAll AgesInformation: (212) 875-5350Target Free Thursdays is generously underwritten by Target. DRUMS ALONG THE POTOMAC—A Global Go-Go Fantasia was co-commissioned by Lincoln Center for the Performing Arts for the Target® Free Thursdays series at the David Rubenstein Atrium and the John F. Kennedy Center for the Performing Arts.***********************************************Monday, May 20th, 2013The Grand Foyer Millennium Stage at The John F. Kennedy Center for the Performing Arts2700 F Street, NW Washington, DC 205666pm showtimeFree to the PublicAll AgesInformation: 800-444-1324 or 202-467-4600The Millennium Stage was created and underwritten by James A. Johnson and Maxine Isaacs to make the performing arts accessible to everyone in fulfillment of the Kennedy Center’s mission to its community and the nation.The Millennium Stage is brought to the public by Target Stores, with additional funding provided byCapital One Bank, DC Commission on the Arts and Humanities, The Isadore and Bertha Gudelsky Family Foundation, Inc., The J. Willard and Alice S. Marriott Foundation, Jaylee M. Mead†, The Meredith Foundation,The Morris and Gwendolyn Cafritz Foundation,Suzy and Bob Pence, Dr. Deborah Rose and Dr. Jan A.J. Stolwijk, Thomas W. Haas Foundation,U.S. Department of Education, and the Millennium Stage Endowment Fund.Millennium Stage Endowment Fund - James A. Johnson and Maxine Isaacs, Fannie Mae Foundation,James V. Kimsey, Gilbert† and Jaylee† Mead, Mortgage Bankers Association of America, Anonymous,and other gifts to secure the future of the Millennium Stage. http://burntsugarindex.com/the-upper-anacostia-lower-gold-coast-symphonic-drums-along-the-potomac-a-global-go-go-fantasia/

 — with Jared Michael Nickerson and Greg Tate.

Free shows tonight in NYC & Monday night in DC. Via Burnt Sugar’s fb:

THE UPPER ANACOSTIA —LOWER GOLD COAST SYMPHONIC: DRUMS ALONG THE POTOMAC—A Global Go-Go Fantasia TUALGCS will debut a polyrhythmic and romantic orchestral Go-Go suite inspired by 70s spiritual-jazz balladry and the work of DC’s greatest cartographers in verse— notably Sterling Brown, Essex Hemphill, Jonetta Barras, Edward P. Jones, Rita Dove, Thomas Sayers Ellis, Monica Hand, Toni Asante Lighfoot, and Etthelbert Miller. 

TUALGCS is a collaborative experimental ensemble comprised of Greg Tate, Marc Cary, talking drum master Abou Mboup, tabla master Sameer Gupta, poet Thomas Sayers Ellis, noted Washington D.C. Go Go players, Donnell Floyd, Go-Go Mickey & Kenny “Kwick” Gross and musicians from Greg Tate’s Burnt Sugar the Arkestra Chamber. 

DRUMS ALONG THE POTOMAC—A Global Go-Go Fantasia was co-commissioned by Lincoln Center for the Performing Arts for the Target® Free Thursdays series at the David Rubenstein Atrium and the John F. Kennedy Center for the Performing Arts.


THE UPPER ANACOSTIA — LOWER GOLD COAST SYMPHONIC 
Greg Tate - conduction/guitar/laptop
Marc Cary - acoustic piano/electric piano/synthesizer
D. Floyd - MC
Thomas Sayers Ellis - poet
Sameer Gupta - tabla
Abdou Mboup - talking drum
Lisala - vocals
Meah Pace - vocals 
Mazz Swift - violin & vocals
V. Jeffery Smith - tenor sax
Luqman Brown - trombone
Ben Tyree - guitar 
Jason Di Matteo - acoustic bass
Jared Michael Nickerson - electric bass
Milton “Go-Go Mickey” Freeman - congas
Kenny ‘Kwick’ Gross - drums 


Thursday, May 16th, 2013
“Target Free” Thursdays presents at The David Rubenstein Atrium at Lincoln Center for the Performing Arts
61 West 62 Street
New York, NY 10023
showtimes: 7:30pm & 9pm
Free to the Public
All Ages
Information: (212) 875-5350

Target Free Thursdays is generously underwritten by Target. 

DRUMS ALONG THE POTOMAC—A Global Go-Go Fantasia was co-commissioned by Lincoln Center for the Performing Arts for the Target® Free Thursdays series at the David Rubenstein Atrium and the John F. Kennedy Center for the Performing Arts.

***********************************************

Monday, May 20th, 2013
The Grand Foyer Millennium Stage 
at 
The John F. Kennedy Center for the Performing Arts
2700 F Street, NW 
Washington, DC 20566
6pm showtime
Free to the Public
All Ages
Information: 800-444-1324 or 202-467-4600
The Millennium Stage was created and underwritten by James A. Johnson and Maxine Isaacs to make the performing arts accessible to everyone in fulfillment of the Kennedy Center’s mission to its community and the nation.
The Millennium Stage is brought to the public by Target Stores, with additional funding provided byCapital One Bank, DC Commission on the Arts and Humanities, The Isadore and Bertha Gudelsky Family Foundation, Inc., The J. Willard and Alice S. Marriott Foundation, Jaylee M. Mead†, The Meredith Foundation,The Morris and Gwendolyn Cafritz Foundation,Suzy and Bob Pence, Dr. Deborah Rose and Dr. Jan A.J. Stolwijk, Thomas W. Haas Foundation,U.S. Department of Education, and the Millennium Stage Endowment Fund.
Millennium Stage Endowment Fund - James A. Johnson and Maxine Isaacs, Fannie Mae Foundation,James V. Kimsey, Gilbert† and Jaylee† Mead, Mortgage Bankers Association of America, Anonymous,and other gifts to secure the future of the Millennium Stage. 
http://burntsugarindex.com/the-upper-anacostia-lower-gold-coast-symphonic-drums-along-the-potomac-a-global-go-go-fantasia/

— with Jared Michael Nickerson and Greg Tate.

NYC CitiBike bike-share program launches Memorial Day, 20 months after it was first announced. If you sign up for a $100 annual membership by tomorrow, you’ll be able to start using it from Day 1 (day & weekly passes go into effect a week later).
Station map here. More via Wikipedia:

The system will initially consist of 5,500 bicycles and nearly 300 stations in parts of Manhattan and Brooklyn.[9] It will later expand to 10,000+ bicycles and 600+ stations in Manhattan south of 79th Street plus stations in several Brooklyn neighborhoods, including Greenpoint, Crown Heights, Bedford-Stuyvesant, Park Slope and Carroll Gardens.[10]

NYC CitiBike bike-share program launches Memorial Day, 20 months after it was first announcedIf you sign up for a $100 annual membership by tomorrow, you’ll be able to start using it from Day 1 (day & weekly passes go into effect a week later).

Station map here. More via Wikipedia:

The system will initially consist of 5,500 bicycles and nearly 300 stations in parts of Manhattan and Brooklyn.[9] It will later expand to 10,000+ bicycles and 600+ stations in Manhattan south of 79th Street plus stations in several Brooklyn neighborhoods, including Greenpoint, Crown Heights, Bedford-Stuyvesant, Park Slope and Carroll Gardens.[10]

Raw/Cooked: Michael Ballou at Brooklyn Museum:

The eighth exhibition in the Raw/Cooked series presents the work of Williamsburg’s Michael Ballou. A multimedia artist whose practice incorporates sculpture, performance, and collaboration, Ballou has altered three spaces in the Brooklyn Museum with site-specific installations. Connecting them is his interest in the appearance, behavior, and inner lives of animals. Spilling out of a large-scale vitrine in the fourth-floor Decorative Arts galleries, Ballou’s Dog Years is a monumental construction of over sixty dog head sculptures, modeled on animals of his acquaintance. Go-Go, a light and sound installation, enlivens the fifth-floor elevator lobby with a mobile puppet suspended from the ceiling, ambient music, and the play of projected light and shadows on the walls. Collaborative project Pencil Holders was conceived in response to the Museum’s Luce Visible Storage ▪ Study Center. Drawn to the Center’s encyclopedic holdings, which evoke a cabinet of curiosities, Ballou added several of his ceramic sculptures to a shelf. They’re accompanied by fictional texts created by six authors invited to respond to Luce’s holdings, accessible by QR code. The authors include Stephanie Barber, David Brody, James Hannaham, Kurt Hoffman, Helen Phillips, and Matthew Sharpe. The fictional Pencil Holders text can also be found atwww.pencil-holders.org.
The second season of Raw/Cooked presents a series of four exhibitions by under-the-radar Brooklyn artists who have been invited by the Museum, with support from Bloomberg, to show their first major museum exhibitions. The artists are given the opportunity to work with the Museum’s collections and to display in spaces of their choosing, however unconventional.
The four artists in the series were recommended by an advisory board of well-known Brooklyn artists. Museum curator Eugenie Tsai made the final selections. Michael Ballou was recommended by Amy Sillman.

Raw/Cooked: Michael Ballou at Brooklyn Museum:

The eighth exhibition in the Raw/Cooked series presents the work of Williamsburg’s Michael Ballou. A multimedia artist whose practice incorporates sculpture, performance, and collaboration, Ballou has altered three spaces in the Brooklyn Museum with site-specific installations. Connecting them is his interest in the appearance, behavior, and inner lives of animals. Spilling out of a large-scale vitrine in the fourth-floor Decorative Arts galleries, Ballou’s Dog Years is a monumental construction of over sixty dog head sculptures, modeled on animals of his acquaintance. Go-Go, a light and sound installation, enlivens the fifth-floor elevator lobby with a mobile puppet suspended from the ceiling, ambient music, and the play of projected light and shadows on the walls. Collaborative project Pencil Holders was conceived in response to the Museum’s Luce Visible Storage ▪ Study Center. Drawn to the Center’s encyclopedic holdings, which evoke a cabinet of curiosities, Ballou added several of his ceramic sculptures to a shelf. They’re accompanied by fictional texts created by six authors invited to respond to Luce’s holdings, accessible by QR code. The authors include Stephanie Barber, David Brody, James Hannaham, Kurt Hoffman, Helen Phillips, and Matthew Sharpe. The fictional Pencil Holders text can also be found atwww.pencil-holders.org.

The second season of Raw/Cooked presents a series of four exhibitions by under-the-radar Brooklyn artists who have been invited by the Museum, with support from Bloomberg, to show their first major museum exhibitions. The artists are given the opportunity to work with the Museum’s collections and to display in spaces of their choosing, however unconventional.

The four artists in the series were recommended by an advisory board of well-known Brooklyn artists. Museum curator Eugenie Tsai made the final selections. Michael Ballou was recommended by Amy Sillman.

Scratch Goes to the New Museum – NYC 1993: Experimental Jet Set, Trash and No Star” (by Scratch Vimeo)